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A brief history of the all-in-one Mac

By: hoakley
10 May 2025 at 15:00

From the outset, the Macintosh was a single integrated unit, at a time when other personal computers came with separate displays.

Macintosh 128K (1984), Apple Museum Prague. Image by Benoît Prieur, via Wikimedia Commons.

It took three years for Macs to diverge into the all-in-one SE and the modular Macintosh II with its conventional case and separate colour monitor. The meteoric rise of desktop publishing demanded large, deep and heavy cathode-ray tube (CRT) colour displays that only came separately, and needed long graphics cards that had to be fitted inside the computer’s chassis.

Although the Mac SE weighed up to almost 10 kg (22 pounds), many lugged them around in soft cases slung over their shoulders, providing a degree of portability. There are some folk whose backs still bear witness to those days of the luggable Mac.

Integral CRT displays hardly changed over this period. The Macintosh 128K came with a 9 inch screen displaying a mere 512 x 342 pixels in monochrome. Ten years later, the Color Classic was the first all-in-one to come with a 10 inch colour screen, and that only increased resolution to 512 x 384 pixels. Neither was there any support for external displays, until the LC 520 in July 1993, with its 14 inch colour CRT at 640 x 480 resolution and display port.

During the 1990s, Apple offered various Power Macintosh, Performa and LC all-in-one models featuring integral or piggybacked displays, culminating in the Power Macintosh 5500 in 1997, with its 15 inch CRT of which less than 13 inches were viewable, and supporting up to 832 x 624 pixels.

Twentieth Anniversary Macintosh (1997). Image by Shelby Jueden, via Wikimedia Commons.

Apple’s next innovative all-in-one was the Twentieth Anniversary Macintosh (TAM), released a year late in 1997. It came with a 12.1 inch backlit active-matrix screen rather than the traditional CRT, in this unique design. Although a limited edition intended to be a collector’s item, it was overpriced and sold poorly, and has since been eclipsed by the most innovative model since the original 128K.

In May 1998, Apple announced the first iMac, based on a PowerPC G3 processor and a 15 inch CRT, of which 13.8 inches are viewable at resolutions of up to 1024 x 768 pixels. The design wrapped the case around the bulk of the display in the form of a ‘gumdrop’, using coloured translucent plastic later offered in a range of bright colours.

iMac G3 (1998). Image by Felix Winkelnkemper, via Wikimedia Commons.

It was also technically innovative, featuring novel USB ports and discarding the traditional floppy disk drive in favour of optical and hard drives. This shipped in August 1998, with hardware revisions that October and the following January.

A few months later Apple quietly slipped out the Power Macintosh G3 All-in-One, but that proved to be a dead-end and has been largely forgotten in favour of the iconic iMac.

By January 2002, flat-panel displays were starting to displace bulky CRTs, and Apple made use of them in its first flat-panel iMac. This featured a PowerPC G4 processor, and a 15 inch TFT active-matrix LCD delivering up to 1024 x 768 pixels. The computer components were assembled into a heavy hemispherical base on which the display was mounted using a hinged stainless steel arm resembling an Anglepoise desk lamp, which had been designed in 1932 by George Carwardine and is still in production.

iMac G4 (2002). Image by Maxime Bober, via Wikimedia Commons.

This ‘Anglepoise’ mount remains the best adjustable mechanism used with a display, ensured effortless positioning to suit each user, and eventually supported 20 inch flat-panel displays.

iMac G4 (2002), display mount. Image by Maxime Bober, via Wikimedia Commons.

With displays now thin enough to allow computer components to be integrated behind the screen, the next step was to eliminate the heavy base. Apple achieved that in August 2004 with the iMac G5, in its 17 and 20 inch models. With the switch to Intel processors and further integration in computer components, display size rose to 24 inches in 2007, and 27 inches two years later.

For many, the zenith of the iMac came in Retina 5K displays first offered in 2014, and the most powerful Intel iMac of all, the 27 inch iMac Pro released at the end of 2017. The latter features Intel Xeon processors with 8 or 10 cores together with the new T2 security chip. Although it doesn’t appear to have sold well, it was popular with developers and others during the hiatus between the Mac Pro models of 2013 and 2019.

Although the iMac Pro was the first Mac to feature a T2 chip, their inclusion in other iMacs was delayed until Apple had already announced its move to Apple silicon models. The last Intel iMac with a 27 inch Retina 5K display was released in August 2020, three months before Apple shipped the first M1 Mac mini and others.

Since May 2021, Apple has offered a succession of three iMacs powered by its M-series chips, all with a 24 inch Retina 4.5K display. They follow in the line of the original iMac from 1998, and come in a range of colours. But there are many who are still clinging onto ageing Intel iMacs in the hope that, one day, Apple will offer an all-in-one in the spirit of the iMac Pro, with a Pro grade chip and a 27 inch Retina 5K display.

Evolution of iMacs. Graphics by Giulia Piccoli Trapletti, via Wikimedia Commons.

预言在应验:五年前所讨论的未来人机交互的新范式_6.ylog

By: Steven
16 June 2024 at 22:58

从 2024 年的今天,回望 2019 年的 Apple 和 Ive 团队,我们会发现有些变化和趋势似乎是早已注定的。在过往的观察和分析中,我们所预言的事情正在成为现实和主流。常言道以史为镜可以知兴替,今天再看当时的 Apple 和 Ive 团队,关于产品的演进思路和设计策略的变化都早有端倪,也能预见在 AI 席卷的浪潮下,Apple 将会如何应对。

在这一期,你会听到:

—- 二十年前的专利文件:通体透光的 iPhone

—- 国产厂商和 Apple 在设计上的差异

—- 成功的设计:AirPods 只是剪掉线的 EarPods

—- 塑料手机的设计巅峰:iPhone 5c

—- 刘海与机器视觉:早早布局的 AI 伏笔

—- 未来十年的人机交互:人和人之间怎么交互?

—- 设计策略上的「S型曲线」体现在哪里?

—- 产品路径上迷路的 iPad

—- 光洁的划痕:是矫情还是哲学?

—- 史上最佳手机壳:iPhone 5c 的多彩硅胶壳

—- 拟物化的残党,现在理解扁平化的先进性了吗?

|相关图片|

首款 Unibody 设计于 2008 年 10 月发布
截图来自:Designed by Apple in California

查看更多图片和设计讨论:Mac Pro 2019

|拓展阅读|

如何评价 iPhone X 的工业设计?

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十年轮回?经典进化!工业设计师深入解读 iPhone12!

从技术寿命 S 曲线,看阳极氧化铝的设计

抽象的产品,用户「界面」的设计

如何看待 Evans Hankey 从 Apple 设计团队离职?

注定会离职的 Jonathan Ive 和科技产品的设计趋势

|登场人物|

苏志斌:工业设计师,车联网智能硬件产品经理 / 联创,《设以观复》作者

王汉洋:AI 行业从业者,多档播客主播,《拯救东北1910》《山有虎》作者

|相关链接|

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阅读设计相关的各类文章:https://suithink.me/zlink/idea/

|其他社交网络媒体|

苏志斌 @ 知乎|SUiTHiNK @ 即刻 / 微博

苏志斌SUiTHiNK @ Bilibili / YouTube / 小红书

|联络邮箱|

suithink.su@gmail.com

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