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Today — 2 April 2026Main stream

特朗普称在伊朗“目标即将实现” 未来两三周要把伊朗打回“石器时代” - RFI - 法国国际广播电台

2 April 2026 at 20:15
02/04/2026 - 13:53

美国总统特朗普周三晚间向全国发表讲话称:伊朗“不再构成真正”的威胁,美军即将实现其战略目标,并承诺,将在未来两到三周内“猛烈”打击伊朗,将其打回“石器时代”。

在美联社4月2日刊出的讲话全文中,特朗普说:在过去的四周里,我们的武装部队在战场上取得了迅速、果断、压倒性的胜利。伊朗的海军已不复存在,空军已成废墟,其恐怖政权的大部分领导人已丧命。他们对伊斯兰革命卫队的指挥和控制正被彻底摧毁。他们发射导弹和无人机的能力被大幅削弱。他们的武器、工厂和火箭发射器正在被炸成碎片。

特朗普还承诺,要在接下来两到三周,将对他们进行极其猛烈的打击。我们要把他们打回“石器时代”,让他们回到他们该待的地方。

他还说,与此同时,谈判仍在进行中。政权更迭并非我们的目标。我们从未说过要推翻政权,但由于他们原有领导人全部死亡,政权更迭已经发生。新政权不那么激进,也更加理性。

特朗普威胁到,然而如果在此期间未能达成协议,我们已经盯上他们的关键目标。如无法达成协议,我们将对他们的每一座发电厂进行猛烈打击,且很可能同时进行。

特朗普还为他在第一任期退出2015年伊核协议辩护称,我终止了巴拉克·侯赛因·奥巴马的伊朗核协议,那是一场灾难。奥巴马给了他们17亿美元现金。货真价实的现金——从弗吉尼亚州、华盛顿特区和马里兰州的银行里取出来,用飞机运送这些钱,试图收买他们(伊朗)的尊重和忠诚,但这并没有奏效。他们嘲笑我们的总统,继续推进他们拥有核武器的计划。他那个伊朗核协议使伊朗拥有庞大的核武器库。

腾讯会议这波 AI 功能,让我彻底戒掉了整理焦虑

By: 姚桐
2 April 2026 at 19:54

有多少会议的录像,你从来没有回看过?

我想有些人的答案是:几乎全部。

录制文件躺在云端,没有索引,没有摘要,于是我们宁可在手机备忘录里潦草记几行字,也不去动那个文件夹。时间一长,会议录像的意义,就只剩下一种:防止对方事后翻脸说「我没说过这句话」。

作为腾讯会议的深度用户,我用它录过选题会、采访,也录过早八课、小组讨论。录制于我而言,从来只是个存档动作。因为我总要花 3 倍于会议时长的时间,去整理笔记、提炼重点、定位关键信息。稍有不慎就会遗漏核心点,主打一个「摸鱼一时爽,整理火葬场」。

腾讯会议这次「智能录制」的升级动静不小。变的不仅是准确率,还包括整个框架。它引入了多模板机制,不同类型的会议,AI 会用不同的方式帮你整理。

看到「AI 帮你整理会议内容」,可能你和我的第一反应是:又来。这种功能见得太多了。生成出来的东西,要么是逐字稿套了个排版,要么是把你说的话复读一遍加了个标题。

但这次可能真的不一样,我拿了几种完全不同的会议来试,工作周会、大学课堂、客户拜访,看看它到底能整出什么花来。

体验入口:

第一步:在会议中开启「云录制」,会议结束后录制文件将自动保存进入你的「录制」文件中。

第二步:进入腾讯会议客户端/APP,点击「录制」(APP 请从「我」-「录制」),在全部文件中,选择任何一场会议,进入后即可查看该功能。

不同的会,终于有了不同的整理方式

我先拿了一场最常见的周会开刀。

这会会一般信息密度不高但杂乱,我过去通常的处理方式是:打开录制文件,拖着进度条找到关键段落,然后打开备忘录开始手动敲:谁说了什么、结论是什么、谁负责跟进。

这次我什么都没做,会后直接打开录制文件,选择「智能总结」模板。

在这场周会的录制里,AI 把内容切成了大约 6 个段落,排期讨论、预算确认、人员安排,每一段标题都对得上我的记忆。单是这一个功能,就帮我省下了至少一半的整理时间。

对于大多数日常工作会,这个通用模板已经够用了。但腾讯会议这次真正让我觉得有意思的,是接下来这件事。

因为不同类型的会议,对「重要信息」的定义完全不一样。

一节课的核心是知识点和考试重点,一场客户拜访的核心是预算、决策链和痛点,一次项目启动会的核心是里程碑和责任人。让一套 AI 模板包打天下,就像让同一个实习生既写课堂笔记又写销售报告。能用,但不专业。

腾讯会议这次一口气推出了 5 个场景化模板,我拿大学生最刚需的「学霸助手」先测了一场早八课。

周三早八,文学翻译鉴赏课,老师用英文开场,PPT 切换的速度比我意识清醒的速度快一倍。

和往常一样,进入会议我顺手点了云录制,然后把脑子调到了省电模式。

下课后,我先点开了逐字稿,中英夹杂,密密麻麻。「so」和「就是说」交替出现。

图源小红书@亿万

我在屏幕前坐了三秒,头开始疼,算了,直接看「学霸助手」模板整理的纪要。

整齐的语段就这样萌萌地看着我。

我在复盘时发现一个有趣的细节:老师在讲「Memory, like olives, is an acquired taste.」这句话如何翻译时,用了相当长的篇幅分析「acquired」,AI 纪要把这段内容压缩成了要点,而不是一堆原话的堆砌。

最让我觉得贴心的是,组队人数、抽签规则、评分占比等重要细节都无一遗漏。

但 AI 的输出不是终点。我还可以随时在要点下面加一段自己的理解,操作就像在一篇文档里插入注释一样自然。 我的思考、我的补充、我的疑问,都能和课程内容牢牢绑定在一起,随着学习过程不断丰富,最终变成完全属于我的学习资产。

对中小企业来说,多模板可能更值钱

除了学霸助手,腾讯会议还准备了汇报总结、项目启动纪要、客户拜访纪要(MEDDICC)和客户分析(BANT)四套模板。

我有个做 ToB 销售的朋友,团队六个人,没有 CRM 系统,客户信息全靠微信收藏和脑子。每次见完客户回来,主管问一句「对方预算多少?谁拍板?」他就开始翻手机备忘录上潦草的三行字,剩下的全凭印象。

他不是不知道 BANT、MEDDICC 这些专业销售框架好用。客户预算、决策人、需求、时间线,哪条漏了都可能跟错单。但六个人的小团队,哪有精力每次见完客户还坐下来花半小时填表?

行业里有个数据说,用对了销售资格认定框架,成交率能提高 67%。道理大家都懂,卡就卡在执行上。

这次我帮他试了一下 MEDDICC 模板。操作很简单:客户拜访时开着腾讯会议的云录制,聊完之后切到 MEDDICC 模板,AI 直接把聊天里提到的预算范围、谁是最终决策人、客户痛点、竞品情况这些信息,按框架归好了类。

他看完说了句:「我以前花半小时填的东西,它开完会就填好了。」

BANT 模板也是同样的逻辑,预算、决策权、需求紧迫度、时间线四个维度自动归位。对他这种小团队来说,这招属于「轻资产、重方法」。

买不起几十万的 CRM,请不起咨询公司做销售培训,但开个腾讯会议、选对模板,AI 就能帮你把客户信息按专业框架整好。说白了,方法论本身不贵,贵的是执行成本。现在执行成本被 AI 干掉了。

会议能被追问,元宝是我的私人秘书

如果说智能纪要解决的是「会后整理」,那「问元宝」解决的是更深一层的问题:会议内容能不能被追问

我们或许都经历过,在五六个人的工作会议中,大家都在说话,你很难在实时对话中同时追踪每个人的立场演变,注意力往往被最强势的那个声音带走了。

现在你直接点击逐字稿里参会者的昵称,就可以让元宝总结 ta 的全场观点。分人总结之后,这五六个人分别说了什么、各自强调了什么、在哪个问题上有过保留意见,全部清晰呈现。

会后追问,才是「问元宝」更日常的用法。

做访谈时,有位受访者提到了心盲症(Aphantasia)这个概念,我当场不好打断就没追问。会后让元宝结合那段访谈内容和外部资料给我解释,它把受访者的个人描述和认知科学的外部知识结合起来,标注了哪些内容来自录制,哪些来自联网检索。

之前遇到陌生概念,要花几小时翻知网、查文献,既耗时又容易出错。现在元宝直接完成「访谈内容解读 + 权威知识补充 + 信源标注」一站式服务,整理好的内容稍作调整核对,就能直接放进论文附录或注释里了。

大学生们课后如果需要给组员发组队通知,直接输入「根据本节课的分组要求,生成一份组队通知,明确组队时间、人数要求、报告占比、抽签规则」,一份清晰得体的通知立刻生成,复制粘贴就能发到群里。

这样一来,「会议内容」就从一段只能播放的音视频,变成了一个可以被追问、被延伸的知识库。你只需要告诉 AI 你想知道什么,它帮你从里面捞出来。

会议录制的终点,是「随时调用的记忆」

以前我对会议效率的期待,就是开完能有份纪要就谢天谢地了。但纪要只是信息的归档,归档之后的信息怎么再流转、怎么被用起来,才是真正决定效率的环节。

这一年腾讯会议把 AI 嵌进了会议的每一个角落。现在,多模板管整理,元宝管追问,整条链路终于没有断点了。

你可以追着它问、往里面加自己的笔记,甚至让它联网帮你查资料。会议录制文件第一次变成了一个活的东西。

我翻了翻云端那堆从来没打开过的旧录制文件,原来早就支持了,过往文件也能用。

那些在云端躺了几个月的早八课录像,我可能要重新打开了。不是为了复习,只是想知道,那节我快睡着的课,AI 眼里的「核心知识点」到底是什么。

与其说这是会议录制,不如说是把工作生活里,那些过去没有被好好整理的上下文记忆都留存了起来。

这,才是「会议录制」这个动作之后真正应该有的结局。

#欢迎关注爱范儿官方微信公众号:爱范儿(微信号:ifanr),更多精彩内容第一时间为您奉上。

Man dies in storm as Saharan dust shrouds Crete

2 April 2026 at 15:54
NIKOS CHALKIADAKIS/EPA/Shutterstock A man takes a picture while cars drive with their headlights on in red air.NIKOS CHALKIADAKIS/EPA/Shutterstock
A man takes pictures as the city of Heraklion that is covered in red dust coming from Africa

A man has died near Athens as a storm hits parts of Greece with gale-force winds and flooding, while a Saharan dust storm enveloped the island of Crete.

The man was found under a car in the Nea Makri rural area early on Thursday, according to the fire department.

Storm Erminio has flooded streets, closed some schools and moored ferries. Meanwhile, some flights were disrupted on Crete on Wednesday after dust from an African storm filled the air, turning the sky red-orange.

The weather is expected to be bad on Thursday in most areas of the country "with long-lasting and intense rains and storms and possibly with local hail", according to the national meteorological service.

Stefanos Rapanis/Anadolu via Getty Images People walk along a waterfront with boats, buildings and the sea in the background. The sky is orange.Stefanos Rapanis/Anadolu via Getty Images
Crete cloaked by a Saharan dust storm on 1 April

A red warning is in place in Crete, mainly in the west and south, from midday until late at night on Thursday.

The fire department received 674 calls for assistance from Wednesday through the early hours of Thursday. The majority were in the Attica region that encompasses Athens, with most calls for fallen trees.

High winds have kept ferries moored in ports, with Greek media reporting some departures may resume on Thursday, weather permitting.

Streets as well as the basement of the local police station in Nea Makri were flooded. A bridge was knocked down on the island of Poros and vehicles have reportedly been swept away. Some schools have also been closed.

Stefanos Rapanis/Anadolu via Getty Images Two people walk in jackets long a street beside a shop and building. The sky and everything is coloured red-orange.Stefanos Rapanis/Anadolu via Getty Images
Crete cloaked by Saharan dust storm on 1 April

Brazil grants joint custody over pets in new law for separated couples

2 April 2026 at 17:38
Getty Images A couple walking two dogs in the sunsetGetty Images

Courts in Brazil will be able to determine shared custody arrangements for the pets of separating couples, under new laws.

Lawmakers in the Brazilian Congress on Tuesday viewed the law change as a reflection on the importance people place on their pets.

The legislation means that if a couple separates without reaching an agreement regarding their pet, "a judge will determine the shared custody arrangement and the equitable distribution of the animal's maintenance expenses between the parties".

Currently, the country of 213 million people has about 160 million pets, according to the Instituto Pet Brasil.

For the law to apply to separating couples, the animal must have spent the majority of its life with the pair.

Shared custody will not be granted in cases of prior criminal records or a history or risk of domestic violence.

Members of the congress said there had been an increase in pet custody disputes in courts, while noting the law responds to "changes that have occurred in Brazilian society in recent decades," according to a statement accompanying the law.

The statement added that couples with fewer children tend to have closer relationships with their animals, "often considered true family members".

Currently in the UK, dogs are legally seen as inanimate objects akin to cars, houses or other personal items, meaning custody cases come down to determining who the sole owner is.

In 2014, France changed its law so pets were considered "living and feeling beings" rather than "moveable goods". That change meant couples would be able to fight for shared custody in divorce cases.

Australia currently has no legislation on how the courts should navigate living arrangements for pets after a breakup.

The most recent example of a pet being given joint custody was in Spain in 2021. A judge granted joint custody of a dog to a separated couple who went to court to determine who the pet should live with.

The Madrid court considered that both parties were "jointly responsible" and "co-caretakers" of Panda the dog.

Elon Musk's SpaceX set to go public in $1 trillion share listing

2 April 2026 at 15:05
Reuters Elon Musk waving to a crowd from a stage wearing a black blazer and a black t-shirt.Reuters

Elon Musk's SpaceX is poised to become one of the most valuable publicly traded companies in the world.

The company, which manufactures rockets, space exploration technology and Starlink satellites, is currently privately held. But on Wednesday it made a confidential filing with the US Securities and Exchange Commission (SEC) for an initial public offering, which would allow shares to be traded in the stock market.

The value of SpaceX once it goes public is expected to surpass $1tn (£751bn). That would make its eventual stock market debut one of the most financially significant in history.

Musk's own holding in SpaceX would put the billionaire on track to become the world's first trillionaire.

The BBC has contacted SpaceX for comment.

The company is aiming to officially go public sometime in June, according to reports in Bloomberg, Reuters and the New York Times.

A confidential IPO filing with the SEC allows a company to avoid immediately revealing information to the public while it requests feedback from the regulator. The next step will be for company executives to hold "roadshows" - meetings with big investors to convince them to buy shares.

By making shares of SpaceX available for purchase by the public, the company is looking to raise $50bn or more, according to the reports.

Earlier this year, SpaceX took over xAI, Musk's artificial intelligence venture. After that all-stock merger, SpaceX is believed to have become the most valuable private company in the world, with an internal valuation of $1.25tn.

Recently, Musk's various companies have been becoming increasingly intertwined.

Last year, xAI, best known for its chatbot Grok, took over X, the social media platform previously called Twitter that Musk bought in 2022.

This degree of consolidation was a clear sign to investors that SpaceX was preparing to go public.

Emily Zheng, a senior analyst at Pitchbook, earlier told the BBC that by bringing xAI under SpaceX, Musk could show potential investors that he was consolidating costs and able to easily share resources between his companies.

With its large-scale ambitions, SpaceX is in need of a massive cash infusion that going public can provide, Zheng added. The company is racing to keep up with the "sheer cost of compute, infrastructure, and energy" needed to expand, she said.

Earlier this year, Tesla, Musk's electric vehicle company, revealed it had invested more than $2bn in xAI.

The billionaire said a significant share of Tesla's manufacturing would begin to shift toward building robots, which would make use of xAI technology like Grok.

Grok is already included in some Teslas as an AI assistant.

SpaceX would also partner with Tesla and xAI in the massive chipmaking endeavour Musk announced last month, which he is calling Terafab.

"Tesla, xAI and SpaceX have all done amazing things that people did not think could be done before," Musk said in a March presentation discussing Terafab.

Musk started SpaceX in 2002 with the aim of reducing the cost of launching crafts into space, mainly by making rockets that could be launched more than once. It first contracted with Nasa in 2006.

Today, most of SpaceX's work continues to revolve around rockets and the operation of Starlink, a fleet of satellites offering internet connectivity across the globe.

But Musk often discusses grander ambitions for the company, including putting data centers needed for AI in space and building a self-sufficient city on Mars, which many experts have said could be impossible to realise.

Palantir UK boss says it's up to militaries to decide how AI targeting is used in war

2 April 2026 at 00:03
Palantir's Louis Mosley says militaries responsible for how AI systems are used

Tech giant Palantir has pushed back against concerns that military use of its AI platforms could lead to unforeseen risks, in an exclusive interview with the BBC, insisting that the way the technology is used is the responsibility of its military customers.

It comes as experts have expressed concern over the use of Palantir's AI-powered defence platform - Maven Smart System - during wartime and its reported use in US attacks on Iran.

Analysts have warned that the military's use of the platform, which helps personnel plan attacks, leaves little time for "meaningful verification" of its output and could lead to incorrect targets being hit.

But the company's UK and Europe head, Louis Mosley, told the BBC in a wide-ranging interview that while AI platforms like Maven have been "instrumental" to the US management of the Iran war, responsibility for how their output is used must always remain "with the military organisation".

"There's always a human in the loop, so there is always a human that makes the ultimate decision. That's the current set-up."

The Maven Smart System was launched by the Pentagon in 2017 and is designed to speed up military targeting decisions by bringing together masses of data, including a range of intelligence, satellite and drone images.

The system analyses this data and can then provide recommendations for targeting. It can also suggest the level of force to use based on the availability of personnel and military hardware, such as aircraft.

But scrutiny has grown over the use of such tools in warfare. In February, the Pentagon announced that it would be phasing out Anthropic's Claude AI system - which helps to power Maven - after the company refused to allow use of its AI in autonomous weapons and surveillance. Palantir says alternatives can replace it.

Since the war with Iran began in February, the US has reportedly used Maven to plan strikes across the country.

Demonstration footage of Palantir's Maven Smart System

Pushed by the BBC on the risk that Maven might suggest incorrect targets - which could include civilians - Mosley insisted that the platform is only meant to serve as a guide to speed up the decision-making process for military personnel and that it should not be seen as an automated targeting system.

"You could think of it as a support tool," Mosley said. "It's allowing them to synthesise vast amounts of information that previously they would have had to do manually one by one."

However, Mosley deferred to individual militaries when challenged by the BBC on the risk of time-pressured commanders ordering their officers to take Maven's output as being rubber-stamped.

"That's really a question for our military customers. They're the ones that decide the policy framework that determines who gets to make what decision," he said. "That's not our role."

Since 28 February, the US has launched more than 11,000 strikes against Iran, many reportedly identified by Maven.

Adm Brad Cooper, head of the US military in the Middle East, has hailed AI systems for helping officers "sift through vast amounts of data in seconds, so our leaders can cut through the noise and make smarter decisions faster than the enemy can react".

But some worry AI's involvement in mission planning creates significant risks.

"This prioritisation of speed and scale and the use of force then leaves very little time for meaningful verification of targets to make sure that they don't include civilian targets accidentally," Prof Elke Schwarz of Queen Mary University of London said.

"If there's a risk of killing and you co-opt a lot of your critical thinking to software that will take care of these things for you, then you just become reliant on the software," she added. "It's a race to the bottom."

In recent weeks, Pentagon officials have faced questions as to whether AI tools such as Maven were used to identify targets in the deadly strike on a school in the Iranian town of Minab. Iranian officials said the strike killed 168 people, including around 110 children, on the opening day of the war.

In Congress, a number of senior Democrats have called for increased scrutiny of AI platforms like Maven. Rep Sara Jacobs - a member of the House Armed Services Committee - called for clearly enforced rules and regulations about how and when AI systems are used.

"AI tools aren't 100% reliable — they can fail in subtle ways and yet operators continue to over-trust them," she told NBC News last month.

"We have a responsibility to enforce strict guardrails on the military's use of AI and guarantee a human is in the loop in every decision to use lethal force, because the cost of getting it wrong could be devastating for civilians and the service members carrying out these missions."

But Mosley pushed back against suggestions that the speed of his company's platform is rushing decision making at the Pentagon and potentially creating dangerous situations. He instead argued that the speed at which commanders are now taking action is a "consequence of the increased efficiency" that Maven has enabled.

Citing "operational security", the Pentagon declined to comment when approached by the BBC on how AI systems like Maven will be used in future or who would be held responsible should something go wrong.

But officials in the US appear to be moving forward with plans to further integrate Maven into its systems.

Last week, the Reuters news agency reported that the Pentagon had designated Maven as "an official program of record" - establishing it as a technology to be integrated long-term across the US military.

In a letter obtained by Reuters, deputy Defence Secretary Steve Feinberg said the platform would provide commanders "with the latest tools necessary to detect, deter, and dominate our adversaries in all domains".

Additional reporting by Jemimah Herd

Over 1,800 killed since junta seized power in Burkina Faso, rights group says

2 April 2026 at 19:11
Anadolu via Getty Images Burkina Faso President Ibrahim Traoré in a red beret and military uniformAnadolu via Getty Images
The junta is accused of committing "horrific abuses" since Ibrahim Traoré seized power

More than 1,800 civilians have been killed in Burkina Faso since Ibrahim Traoré seized power three years ago in acts amounting to "war crimes and crimes against humanity", a new report says.

Human Rights Watch (HRW) says about 1,837 civilians, including dozens of children, were killed in 57 incidents between January 2023 and August 2025.

It attributes most of the killings - 1,255 - to the military and allied militias, with the rest blamed on Islamist militants.

HRW finds President Traoré and six senior military commanders "may be liable as a matter of command responsibility for grave abuses and should be investigated". It also says five jihadist leaders may be culpable.

The Burkinabé authorities have not yet commented on the report but have dismissed previous accusations that their forces have killed civilians.

One of the reasons the military gave for seizing power was to tackle the jihadist groups linked to al-Qaeda who have been waging an insurgency in Burkina Faso and neighbouring countries for over a decade and control huge parts of the country.

The report is based on analysis of open-source information, including photos, videos and satellite imagery, and interviews with witnesses and survivors.

"All sides are responsible for the war crimes of willful killing, attacks on civilians and civilian objects, pillage and looting, and forced displacement," the report says.

It accuses the junta of committing "horrific abuses" and failing to hold perpetrators to account while blocking reporting to hide the suffering of civilians caught in the violence.

"The scale of atrocities taking place in Burkina Faso is mind-boggling, as is the lack of global attention to this crisis," says Philippe Bolopion, HRW's executive director.

The report cites one of the deadliest incidents in December 2023 in which it says the military and allied militias killed more than 400 civilians in the northern town of Djibo.

A 35-year-old woman told the rights group that her two daughters died on the spot and bullets injured her and her nine-month-old son.

"Make sure no-one is breathing before heading out," she recounted a militia member as saying.

Survivors described the killings as brutal and said they continue to suffer deep psychological trauma.

"Many survivors described the killings as 'butchery' and said they were left with deep psychological wounds," the report notes.

Since the military government seized power, authorities have been accused of carrying out brutal campaigns increasingly targeting civilians in response to attacks by al-Qaeda affiliate JNIM, the biggest jihadist group in the country.

Civilians described to HRW a feeling of being "caught between a rock and a hard place", threatened with death by JNIM while also being targeted by government forces.

The rights group says JNIM has used widespread threats and violence to dominate and punish communities and has targeted civilians refusing to submit to its authority, whom it accuses of supporting the government.

In August 2024, JNIM attackers "shot dead at least 133 people and injured more than 200 in fewer than two hours", it says.

HRW is now urging the International Criminal Court to open a preliminary investigation into the alleged crimes committed by all the parties since September 2022.

It has also called on Burkina Faso's partners and donors to impose sanctions and to refrain from cooperating with the country's army.

Traoré seized power in September 2022 after overthrowing Paul-Henri Sandaogo Damiba, who had taken over only nine months earlier.

Despite his authoritarian reputation, 37-year-old Traoré has gained a huge following across the continent for his pan-Africanist vision and criticism of Western influence.

Burkina Faso, like its neighbours Mali and Niger which are also under military rule, has moved away from working with Western countries, especially France, in its fight against the Islamist groups. All three have instead turned towards Russia for military assistance, however the violence has continued unabated.

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Australia to crack down on gambling ads after years of criticism

2 April 2026 at 13:43
Getty Images Anthony AlbaneseGetty Images
Australia has the highest per capita gambling losses in the world

The Australian government has announced long-awaited gambling advertising reforms, after years of public pressure.

The suite of measures will further limit when and where gambling ads can appear, as well as who can star in them - but it stops short of a full ban, which had cross-party support and the backing of a range of community groups.

Restrictions have been fiercely opposed by powerful gambling agencies, as well as media firms and sports organisations who feared a steep revenue hit.

Australians lose more money to gambling, per capita, than anywhere else in the world.

A number of countries - like Italy, Belgium and Spain - have introduced total or near-total bans on gambling advertising, and a parliamentary inquiry weighing up reform in Australia recommended similar more than 1000 days ago.

In a speech to the National Press Club on Thursday, Prime Minister Anthony Albanese said his government was "getting the balance right" with this package.

"Letting adults have a punt if they want to, but making sure our children don't see betting ads everywhere they look."

Under the reforms, from January 1:

  • TV ads from betting agencies will be capped at three per hour, between 6am and 8:30pm, and banned completely from any live sports broadcasts during those hours
  • Gambling ads will be banned from radio during school pick-up and drop-off times
  • Celebrities and sports players will not be permitted to appear in gambling advertising
  • Gambling ads on online platforms will be banned, unless people have a logged in account, are over 18 and have the option to opt-out
  • Gambling ads will be outlawed in sports venues and on players' and officials' uniforms

The government will also crack down on illegal, offshore gaming sites, and ban more types of online gambling - like Keno and apps and websites modelled on poker machines.

The measures have already prompted backlash from voices in the gambling industry.

In a statement, Responsible Wagering Australia - the peak body for betting agencies - said the new measures are "draconian" and set a "dangerous precedent".

"Today it's gambling advertising, tomorrow it's alcohol, then it's sugary drinks, fast food, critical minerals and who knows what else comes next," chief executive Kai Cantwell said.

He accused the government of blindsiding a sector that supports 30,000 jobs and "provides critical funding to sport, racing and broadcast industries".

A spokesperson from Sportsbet - one of Australia's biggest agencies - said they were concerned the "overly blunt" restrictions could have "unintended consequences", like driving more Australians towards illegal offshore betting which isn't limited by the same conditions.

"Sportsbet recognises changing community sentiment on gambling advertising and has already taken proactive steps."

Many of those advocating for change were also unhappy, believing the proposed changes don't go far enough.

"Imagine three cigarette ads per hour," Reverend Tim Costello said.

"Australian children deserve to grow up in a country that puts their wellbeing before corporate profits."

His Alliance for Gambling Reform were among groups calling for a full gambling advertising ban on the web and broadcast platforms, and the establishment of a national industry regulator.

Similarly, Australian Medical Association vice-president Julian Rait in a statement declared that "partial bans do not work".

"Anything less than a comprehensive ban will continue to expose Australians - especially children - to relentless gambling promotion," he said in a statement.

Alleged Bondi gunman loses court bid to suppress names of his family

2 April 2026 at 09:08
Rocco Fazzari/Getty Images A court sketch of a man with shaved head and green t-shirt with his head bowed.Rocco Fazzari/Getty Images
A sketch shows alleged Bondi gunman Naveed Akram at a court hearing last month

The alleged Bondi gunman has lost his court bid to suppress the names and addresses of his mother, brother and sister due to fears over their safety.

Lawyers for Naveed Akram - who is facing 59 charges over December's attack on a Jewish festival on Bondi Beach that killed 15 people - argued that his family could be targeted by vigilantes and had already experienced abuse.

Last month, details of Akram's family were suppressed under an interim order but on Thursday, a Sydney court lifted it after several media outlets opposed the move.

The case had attracted "unprecedented" attention in Australia and globally, the judge ruled, and information about the family was already widely available online.

"This case has unprecedented public interest, outrage, anger and grief," Judge Hugh Donnelly told the court.

He said the request for a suppression order lasting 40 years did not meet the exceptional circumstances threshold and would have limited impact as it would only apply in Australia and not social media platforms or international media outlets.

The judge said the case was "exceptional by virtue of the sheer magnitude and intensity of the commentary" on overseas platforms, according to the Australian Broadcasting Corporation (ABC).

Donnelly said it was "unfortunate" that Akram's driver's licence had already been posted online but that his lawyers had not properly explained how an order could be enforced.

He also said he was not critical of an interview that Akram's mother gave to a local outlet but that suppressing her identity would do little, the ABC reported.

On the names and workplaces of Akram's siblings, the court said they were unlikely to be part of any court proceedings as they had "little relevance to the case".

Akram, 24, appeared in court via video link from the high security prison where he is being held.

During a hearing last month, the court heard that people had driven past Akram's family home, shouting abuse and death threats.

Family members also reported receiving threatening texts and phone calls.

"We live in constant fear someone will harm us or set our house on fire. I fear for my life and the lives of my children," Akram's mother wrote in a statement.

Lawyers for the media organisations who opposed the suppression order argued that the details of his family were already widely known and there was no evidence of an imminent risk to them, according to the Guardian Australia.

'We go for all humanity' - emotional moment as Artemis II blasts off

2 April 2026 at 11:09
Watch the moment Artemis II blasts into space on historic mission

Nasa's Artemis II mission thundered away from Florida's coast, taking its four crew members on their historic journey to circle the Moon.

There was a deep rumbling as a sheet of brilliant white flame suddenly erupted, momentarily engulfing the whole launch pad as the mightiest rocket Nasa has ever built rose into the sky.

Nasa's Space Launch System (SLS) majestically crept upwards - slow at first, then gathering pace, riding on two blinding pillars of flame that crackled and roared with increasing volume until the rumbling was almost deafening, a sound we could feel in our bodies as we watched on in amazement, three miles (4.8km) away from the launch pad.

There were small cheers from those in the know as the rocket past the moment of maximum danger - one minute and 10 seconds into the launch. This is where the pressure hits the rocket the hardest, and when engineers know that even a small structural weakness can be disastrous.

There was no weakness, and SLS arced out over the Atlantic like a fiery white angel, leaving a white smoky trail as the sound subsided and the spacecraft disappeared from view, shrinking to a single bright star as it chased the Moon.

Chip Somodevilla/Getty Images Artemis is taking off in the distant background, and people watch, many with tripods. The US flag flutters above them on a flag pole.Chip Somodevilla/Getty Images
Spectators are kept at a safe distance, but the deep rumbling of the rocket launch can still be physically felt

Afterwards, there was a giddy euphoria among staff at the Kennedy Space Center.

One person told me they felt quite emotional and another said they wanted to cry – no doubt a release of tension built up over the past few months when Artemis II came close to launch, but ended up being scrubbed for various reasons.

Tonight, though, Nasa employees were laughing and clapping - this is the moment that they have spent years working towards. There is still work to do, but for now they are bathing in the moment of triumph.

In the hour before take-off there were issues which threatened the launch.

They concerned the launch abort system, which enables Nasa engineers to eject the astronauts and blow up the rocket if there is a malfunction.

The countdown clock was held at 10 minutes while engineers resolved the problem. They worked quickly, but it was an agonising wait to see if the launch could still go ahead.

Then came the staccato rhythm of the calls by each engineer responsible for the rocket's critical systems: "booster, go", "GNC, go", "range, go" – each reply, a tiny release of tension and a build-up of expectation.

"Artemis II, this is launch director," said Charlie Blackwell-Thompson, the first woman to hold the position at Nasa.

"You are go for launch," she told the crew. "We go for all humanity", Commander Reid Wiseman responded.

Cheesy words in normal circumstances, but that was the moment our spines began to tingle and we knew we were about to witness history.

Gerardo Mora/Getty Images A group of people watches the launch, most holding phones or cameras up to the sky.Gerardo Mora/Getty Images
Many thousands of people gathered at viewing locations around the Kennedy Space Center in Florida to watch the launch

The Kennedy Space Center was built to send astronauts to the Moon, but that hasn't happened since 1972 when Apollo 17 blasted off. Today, the centre was back in business, doing what it was made for.

The press corps headed outside, where clouds that had threatened to cancel the launch had evaporated.

As the countdown clock restarted, the atmosphere turned to electric anticipation.

The four RS 25 engines and twin solid rocket boosters lit up, driving more than 8.8 million pounds of thrust into the Florida evening sky.

"God Speed Artemis II" Blackwell-Thompson said in another echo from the past. The same words were used in a launch from here in 1962 to send John Glenn, the first American to orbit the Earth, on his way.

NASA Four astronauts stand side by side inside a cramped white spacecraft or support module, wearing bright orange launch and entry suits with blue trim and mission patches. Their arms are folded confidently across their chests.NASA
On their way to the Moon: Commander Reid Wiseman, pilot Victor J Glover, and mission specialists Christina Koch and Jeremy Hansen

I have been lucky enough to see launches of the Space Shuttle to the International Space Station from the Kennedy Space Center. Those launches are almost as impressive in flight, surging into space with an enormous bang and rising at the speed of a bullet.

But the SLS launch was not only more beautiful, it meant much more: a moment full of emotion for all those who saw it, perhaps because it reminded us of what humanity can do when it comes together, or perhaps because we may be entering a new era of space travel.

In the 1990s, I had the opportunity to speak to Neil Armstrong, who, in 1969, became the first person to ever walk on the moon.

Our discussion came at a time when the dream of human space travel seemed to be over. I asked him whatever happened to that dream? He smiled and said "the reality may have faded but the dream is still there and it will come back in time".

Today was the day the dream returned.

The delicate question of where responsibility lies for safety on UK mountains

2 April 2026 at 07:08
BBC A montage image showing a person from the Langdale Ambleside Mountain Rescue Team bringing a stretcher down and an image from Scotland, Argyll and Bute, Glencoe, Buachaille Etive Mor, frozen mountainous regionBBC

Two walkers find themselves stranded on a remote hillside as night closes in, hundreds of miles from home, after being inspired out into the wilderness by a TikTok video. It might sound like an unusual emergency - but for Mike Park, CEO of Mountain Rescue England and Wales, it's become a familiar story.

"We had two people stuck on a hill at 8pm, no torches. One was in their early 20s and the other was late 30s. It was their first time on a hill. They'd travelled a long way because they'd seen a TikTok route. They set off on their walk at 2pm - too late - wearing shorts, T‑shirts and carrying only a picnic," he recalls.

"They got off‑route, found themselves in unfamiliar ground – but they did the right thing by calling for help."

Park says this recent rescue, just a few days ago in the Lake District, is typical of the kind of callouts many colleagues now see.

Getty Images A view of the Lake District and the River Brathay 

Getty Images
Mike Park has spent the past 40 years rescuing people on the hills of the Lake District

His rescue team were able to safely find the pair and walk them off the hill – but the incident perfectly captures some changing behaviours. Their situation was self-inflicted; they weren't prepared and got into trouble, extra layers and some good torches could have seen them rescue themselves - but they were also quick to call for help when they knew something was wrong - a decision Park says saved them from far more severe consequences.

"If we hadn't reached them, they'd have been stuck all night in the dark. By morning, I'm confident they'd be suffering hypothermia - possibly unable to walk."

Over the past few years, mountain rescue teams say there's been a stark rise in the number of people needing to be rescued.

This has ignited a delicate but important debate. Who is responsible for safety on our mountains? And, are increased warning signs and even barriers the answer to saving lives in our most dangerous landscapes, or is risk the price we pay for true adventure?

The rise in callouts

Mountain rescue callouts have been steadily rising for decades. Sport England figures suggest there's been a particular boom in recent years, with the number of us regularly climbing a hill or mountain rising from 2.8m people in 2018 to 3.6m in 2024.

Living an active lifestyle is something the public body estimates could be saving the NHS billions each year, by reducing the number of people developing chronic conditions.

However, it's also contributed to sharp rises in the number of rescues required by the volunteers who make up the UK's so-called "fourth emergency service".

In England and Wales, the number of callouts rescue teams attend has doubled in the past decade, reaching well over 3,000 a year by 2024, according to Mountain Rescue England and Wales.

So what's changed?

One of the key themes rescue teams pick up on is how incidents featuring younger adventurers, aged 18 to 24, have soared in recent years. Callouts for the age group almost doubled in England and Wales between 2019 and 2024, from 166 to 314.

It now makes them the most rescued age group, overtaking walkers in their 50s who had previously needed the most help.

Mike Park has spent the past 40 years on the hills of the Lake District, rescuing those in danger. He has observed a significant shift among younger people in embracing the outdoors - but says he believes better technology and wider social changes in the past few decades have also fed into the overall rise.

"It doesn't matter what age you are - society is more adventurous, more reliant on help, less outdoor‑aware, and less prepared," he says.

"When I first started our team did 10-15 callouts a year. We average around 100 now. The rise hasn't been steady - it's steepened sharply, especially in the last 10 years and after Covid-19."

Park believes part of what makes the mountains of the UK so attractive is that most can be easily accessed for a day-trip - at worst a short weekend break. They are on our doorstep, via the same motorways and service stations we might stop at on our way to a theme park or music gig.

This can breed a sense of overfamiliarity - with some misjudging just how alien and dangerous these environments can be, he suggests.

Corbis via Getty Images Participants crossing stepping stones in YorkshireCorbis via Getty Images
Park believes part of what makes the mountains of the UK so attractive is that most can be easily accessed for a day-trip

Park says decades ago, many people who went into the UK's mountains would have it as their sole major pastime, they were "hillwalkers or mountaineers, that was it". Now, outdoor adventures are easy to pick up alongside the many other work and leisure activities people juggle.

"There's so much to do now, we don't concentrate on any one thing. People might do the outdoor environment one week, swimming the next, holiday the week after," he says.

Rescuers say it should be seen as only good news that millions of people are now inspired each year to venture into the outdoors themselves, encouraged by stories of the physical and mental health benefits - and beautiful images spread across social media.

But the reality of having so many novices is also starting to take its toll on some of the UK's busiest rescue teams, who are increasingly grappling with exhaustion and stretched staffing.

It's important to note that no rescue team we spoke to begrudge doing these kinds of rescues - they are grateful they can help those who need it and avoid the situation getting any worse. It doesn't matter how you got there, just that they can help you get down safely.

But according to Park, the fact people are seemingly more willing to take risks in the first place - and then more willing to pick up the phone when things go wrong - has fundamentally changed what kind of rescues his teams do.

"Ten years ago, 70% of callouts were because someone physically couldn't get off a hill," he says.

"Now, most people haven't physically injured themselves - it's that they're mentally unable to get down, because they weren't prepared for the environment."

In other words, people's bodies are capable of getting them off the mountains, but they lack the experience, confidence or equipment to do it safely.

Online influencers

Many mountain rescuers believe the increase in online influencers is playing a role. There are pictures and videos across sites like TikTok and Instagram encouraging people to venture out to beautiful plateaus and waterfalls.

Seeing people influenced by social media "used to be rare, but now it's constant," explains Martin McMullan, from the Mourne Mountain Rescue Team in Northern Ireland.

"People search out iconic locations made popular by influencers. Some go just to experience it - others are trying to create their own content for their platforms."

BBC/ Getty Images Martin McMullan on the left and on the right is an image of a man walking in the Mourne mountains in Northern Ireland
BBC/ Getty Images
Martin McMullan says: "People search out iconic locations made popular by influencers"

In some rare cases, McMullan says influencers may even be attempting to get rescued - to create more interesting content for their channels. He became suspicious of one case a few years ago, when his team was called to Northern Ireland's highest peak in "very serious" sub-zero winter conditions.

At the summit McMullan says they found a group of young people who they escorted part of the way down, before calling in a helicopter to evacuate them to safety. It was only days later, when a friend alerted him to it, that McMullan realised the whole thing had been filmed by the group, clutching onto their phones as they were rescued.

"They'd been livestreaming parts of it - even when things became dangerous. We were oblivious to it at the time. They probably thought it made great social media content."

McMullen says although being far from the first time he'd had a rescue filmed by members of the public keen to capture the drama of the job, it was the first time his team suspected a group had gone out with the idea of getting rescued, something they denied.

Hotspots

The vast majority of mountain rescue teams, thankfully, rarely find themselves called out to a death. But the spread is far from even and there are certainly hotspots.

The rescue team covering Yr Wydffa, Snowdon, is far and away the busiest in the UK. The team is often called to fatal incidents and has seen a rise in deaths. Across north Wales, there were 14 fatalities in the mountains back in 2015. Last year there were 23.

Getty Images Autumn landscape image of view along Nant Fracon valley in Yr Wydffa, Snowdonia National Park, with dramatic evening sky 
Getty Images
The rescue team covering Yr Wydffa, Snowdon, is the busiest in the UK

So-called body recovery callouts can have a significant impact on the rescuers, with a growing importance being placed on welfare checks and support for the teams who regularly battle the elements to retrieve bodies so they can be returned to their loved ones.

There have been suggestions that putting up physical warning signs, or even fencing, on some of the UK's most dangerous ridges and waterfalls could potentially save lives. The National Trust and conservation project, Fix the Fells, recently decided signs were needed to prevent accidents on England's highest mountain, Scafell Pike.

Over eight years, four people died and more than 40 were rescued from the treacherous ravine known as Piers Gill, before a sign and large rocks were placed on the nearby route to encourage people away from the area.

In mid-Wales, one assistant coroner has recommended multiple times that signs be put up around some of the region's impressive waterfalls. Five people have died at the beauty spots in the past few years, which has prompted the assistant coroner for south Wales central, Rachel Knight, to write three Prevention of Future Death Reports - recommending improvements.

In the most recent one, she argued clearer warning signs were needed for walkers who risked falling from the paths above the waterfalls – suggesting without them, many would fail to understand "the significant risks they face" in the area and more people were likely to die.

So could putting up signs work in other remote areas?

Andy Buchan is due to take over Mike Park's role at Mountain Rescue England and Wales in May.

In some of the most extreme areas, like Crib Goch, a notorious knife edge ridge in north Wales with annual fatalities, Buchan says some ideas should be considered.

Andy Buchan in walking gear on a mountainside
Andy Buchan, the incoming CEO of England and Wales Mountain Rescue

"I won't call it signposting in terms of actually putting signs up on the mountain, but certainly signposting towards more information could really help."

Buchan suggests that in rescue hotspots such as Crib Goch, which does already have some warnings placed on the route, more could be done to help walkers access weather forecasts and safety information before they get to an area - potentially by placing additional signs or QR codes in car parks hikers are likely to use before heading out.

However, what Buchan and others I speak to really don't want to see - despite some potential benefits - is the same widespread canvassing of signs and fencing witnessed in other countries.

Danger do not enter signal at Yosemite national park at Glacier point with its famous overhanging rock
Buchan does not want to see the same widespread canvassing of signs and fencing witnessed in other countries

"There are other parts of the world that I've travelled, like the US, where you can get to remote places and then all of a sudden, when you want to go and have a look at the view over the cliff, there's a big metal barrier around and there's concrete being put in place and it kind of destroys the remoteness of the location that you're in," Buchan explains.

'The mountain isn't going anywhere'

In preparing for the role, Buchan has had plenty of time to think about the current challenges, but is overwhelmingly positive about seeing more people out on the hills.

"We encourage people to get outside for their physical and mental wellbeing," he says. "People recognise the countryside is a cost‑effective way to have great experiences. It's great - but it does come with risk."

Universal Images Group via Getty Images View to Crib Goch and the Pyg Track with Llyn Glaslyn and Llyn Llydaw from Snowdon summit, Gwynedd, Wales, United Kingdom
Universal Images Group via Getty Images
Buchan suggests that in rescue hotspots more could be done to help walkers access weather forecasts and safety information

The story of Jack Carne is testament to that. Jack and his two best friends had travelled a few hours from their hometown of Barnsley to reach the mountains of Eryri, also known as Snowdonia, in north Wales. Inspired, after the Covid-19 lockdowns, by the freedom the mountains offered them, the trio in their 20s had been out hiking at every possible opportunity. They were committed, fit and experienced - but on this occasion, just "10 metres from the top" of Glyder Fawr, a peak thousands of feet up, everything went wrong.

A rock Jack had grabbed hold of broke away in his hands. His friends could do nothing as they watched him fall. In just an instant he was gone - disappearing out of sight beneath them. Three friends went up the mountain that day. Only two came back.

It was the starkest reminder possible about the unpredictability and the dangers lurking just beneath the surface of the UK's most picturesque landscapes – even for those who come prepared.

Left to right - Jack, Matty and Brandan on one of their trips
Jack Carne (left) and his two best friends Matty and Brandan

At the inquest into Jack's death, the coroner remarked how the young men were all well-equipped and experienced enough for the route they'd chosen.

"It was a scramble - nothing harder than anything we'd done before," Matty Belcher, one of those three friends, told me. "In fact it was easier than a lot of stuff we'd done," added the 27-year-old.

"Mountain Rescue said the boulder that actually took Jack was a freak accident," adds Brandan Smith, 25, the group's third member.

"That rock could have gone in a week's time, a year's time."

One week after Jack's death, Brandan and Matty were back at the same peak - this time making it the additional 10m to the summit, where they had time to reflect alongside Jack's dad, who they'd brought with them.

"Jack's dad wanted to see it - put his mind at ease, instead of guessing what happened," explains Matty.

For Brandan and Matty, it was a key moment - that inspired them to keep adventuring and not give up on the beauty of our landscape, despite the risks.

Brandan unfurls a flag to remember Jack at a summit
Brandan says Jack "was probably the best of us at climbing – he was brilliant"

"Jack was the one who absolutely loved it the most out of us," says Brandan. "He was probably the best of us at climbing - he was brilliant - he always pushed me, believed I could do it even when I didn't.

"If we'd stopped going out after he died, Jack would've kicked us for it."

The key thing, both men say, is for those looking to adventure, to always be aware of the risks.

"For us, if someone isn't feeling safe, we turn back. No question. There's always another day," says Brandan. "It's always going to be there - the mountain isn't going anywhere."

Top picture credit: Getty Images

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The bicentenary of Gustave Moreau: 1872-78

By: hoakley
2 April 2026 at 19:30

Once Gustave Moreau had recovered from the trauma of the Franco-Prussian War, he started on his next major works. He had been invited to join the select group of artists who were engaged to paint murals in major public buildings, but declined. Despite that, in 1875 he was made a member of the Legion of Honour, which pleased him and his mother deeply. All he needed now was another success at the Salon.

One of his four paintings exhibited at the Salon of 1876 told the second of Hercules’ twelve labours, his battle with the Lernean Hydra.

moreauherculeslerneanhydra
Gustave Moreau (1826–1898), Hercules and the Lernean Hydra (1876), oil on canvas, 175 × 153 cm, The Art Institute of Chicago, Chicago, IL. Wikimedia Commons.

The Hydra was a poisonous monster with the body of a dog and multiple serpent heads, whose breath alone could kill. According to surviving written accounts, Hercules covered his mouth and nose with a cloth for protection from the deadly fumes, fired flaming arrows into the Hydra’s lair to awaken it, then set about trying to kill it.

When he discovered that cutting off its heads with a sickle or sword only resulted in two more growing back, Hercules enlisted the help of his nephew Iolaus, who cauterised the wounds with a firebrand to prevent regrowth. Hercules then cut off the one immortal head using a golden sword given to him by Athena. He also took some of the Hydra’s blood, which was the poison used on the arrow with which he later killed Nessus.

Moreau puts his canvas into its portrait orientation to emphasise the Hydra towering over Hercules, who is fully armed, with club, bow and arrows, and more. The moment chosen is the initial confrontation, with Hercules staring steely-faced at the Hydra. This is consistent with Moreau’s aversion to a more theatrical treatment.

This was well-received and extensively debated, even generating a long-standing controversy over its possible political connotations. It was suggested at the time that the Hydra represented the forces of anarchy behind the insurgency of the Commune in 1871. Others preferred instead that the Hydra represented Bismarck and the German princes behind the Franco-Prussian War of 1870.

Two of his other paintings shown in 1876 were based on the story of Salome and the execution of Saint John the Baptist. Their underlying narrative is biblical, and straightforward. The unnamed daughter of Herodias (subsequently named as Salome) performed a dance at a birthday feast thrown by King Herod. The dance so pleased Herod that he offered her anything that she wanted, up to half his kingdom. She asked not for riches, but for the head of Saint John the Baptist, the earthly messenger sent to announce the birth and ministry of Jesus Christ. Reluctantly, Herod agreed, John was beheaded in prison, and his head brought to her on a plate; the dancer gave the head to her mother.

This has been a popular story for religious paintings, and by far the most common scene involves John’s head being brought on a plate, or variations around that. Moreau was clearly interested in other parts of the story, and in Salome herself. Moreau’s apparently sudden interest in Salome was sparked by the story, probably mythical, of a woman Communard known as the pétroleuse, who seemingly took delight in setting buildings alight. That suggests it wasn’t until the summer of 1871 that he started work on his paintings of Salome.

moreausalome
Gustave Moreau (1826–1898), Salome (1876), oil on wood, 144 x 103.5 cm, Armand Hammer Museum of Art, Los Angeles, CA. Wikimedia Commons.

The culmination of Moreau’s quest for the right scene to show the story of Salome the dancer is this extraordinary oil painting shown at the 1876 Salon.

The cadaveric King Herod sits on this throne while Salome is almost static on her points, and pointing towards the right. The executioner stands at the foot of the throne, and a couple of other women (including, perhaps, Salome’s mother) are at the left. Salome holds a lotus flower in her right hand, and other flowers are strewn on the floor. John’s head is nowhere to be seen, so we must presume that the moment selected by Moreau is when Salome chooses to receive that as her reward.

The rest of the painting consists of an unprecedented fusion of images, icons, and objects drawn from a diverse range of cultures. Detailed examination has shown these to be associated with the Hagia Sophia in Istanbul, the Alhambra in Granada, the Great Mosque of Cordoba, and several mediaeval cathedrals. Motifs have been identified from Etruscan, Roman, Egyptian, Indian, and Chinese art and culture.

But Moreau wasn’t content to show only that scene from the story. The other painting was to consider Salome with the head of John the Baptist as an apparition, and is now represented in three different versions.

moreauapparitionmgm
Gustave Moreau (1826–1898), The Apparition (1875), oil on canvas, 142 × 103 cm , Musée National Gustave-Moreau, Paris. Wikimedia Commons.

The Apparition (1875) in the Musée National Gustave-Moreau is one of Moreau’s earliest attempts to express this. It takes the central part of Salome and adds the floating, severed head of John. Salome has now been transformed into the provocative, under-dressed femme fatale shown by subsequent artists. King Herod’s throne has been moved to the left of the painting, and he now looks in the direction of the apparition.

moreauapparitiondorsay
Gustave Moreau (1826–1898), The Apparition (c 1876), watercolour on paper, 106 x 72 cm, Musée d’Orsay, Paris. Wikimedia Commons.

This watercolour painting of The Apparition (c 1876), now in the Musée d’Orsay, was that shown at the Salon, although its colours are far weaker than when it was first exhibited. The cadaveric King Herod sit on his throne, overseeing the scene from the left edge. Herodias, presumably, sits by his feet, and a musician for Salome’s dance is shown further back. At the right edge is the executioner, John’s blood still on his sword.

Salome is now nearly nude, her body decorated with an abundance of strategically-placed jewellery and adornments. She points at the apparition with her left hand, trying to stare it out, her face as blank as everyone else’s. She stands on her points, but there is no sign of movement. The floor isn’t just strewn with flowers, but is now stained with the dripping blood from the severed head.

moreauapparitiondorsayd1
Gustave Moreau (1826–1898), The Apparition (detail) (c 1876), watercolour on paper, 106 x 72 cm, Musée d’Orsay, Paris. Wikimedia Commons.

Facial expressions are not theatrical as might have been expected in the work of a more conventional history painter of the day.

moreauapparitionfogg
Gustave Moreau (1826–1898), The Apparition (1876-77), oil on canvas, 55.9 x 46.7 cm, Harvard Art Museums/Fogg Museum (Bequest of Grenville L. Winthrop), Cambridge, MA. Courtesy of Harvard Art Museums.

This slightly later oil version of The Apparition (1876-77), now in the Fogg Museum, gives a better idea of the original effect of Moreau’s watercolour, although the panther has moved across to replace the musician, and the background is quite different.

Moreau hadn’t painted Salome and The Apparition as a pair. Their compositions are individual, and mutually conflicting in details of the palace, the position of Herod’s throne, and more. Salome is one of the most iconographically rich paintings ever made, and it’s not surprising that some critics found it phantasmagoric. The Apparition is dominated by the same eye-to-eye contact that made Moreau’s Oedipus and the Sphinx so compelling, but here it’s between a notorious dancer and the severed head of the holiest man after Christ himself.

In 1877, the year after that Salon, Gustave Flaubert published three short stories, including an extended account of the traditional biblical narrative with Herodias at its centre. The British writer Oscar Wilde was introduced to that by Walter Pater (philosophical leader of Aestheticism), and in 1884 Joris-Karl Huysmans’ À rebours was published, a novel including a description of Moreau’s Salome paintings.

Wilde’s one-act play Salome was first published in French in 1891, and was soon translated into English and German. Banned from public performance in Britain, it received its premier in Paris in 1896, but wasn’t performed in public in England until 1931. At the centre of Wilde’s play is the perversion of lust and desire in Salome, best summarised in her words at the end of the play (he calls John the Baptist Jokanaan):
But, wherefore dost thou not look at me Jokanaan? Thine eyes that were so terrible, so full of rage and scorn, are shut now. Wherefore are they shut? Open thine eyes! Lift up thine eyelids, Jokanaan! Wherefore dost thou not look at me? Art thou afraid of me, Jokanaan, that thou wilt not look at me?
If thou hadst looked at me thou hadst loved me. Well I know that thou wouldst have loved me, and the mystery of love is greater that the mystery of death.

After seeing Wilde’s play performed in Berlin in 1902, Richard Strauss resolved to turn it into an opera. He started work on that in the summer of the following year, and Salome was completed and premiered in 1905. A year later, the dancer and choreographer Maud Allan produced a show called Vision of Salomé in Vienna, featuring a notorious version of the Dance of the Seven Veils, Wilde’s title for the dance of Salome before Herod, included in Strauss’s opera. The name quickly became a euphemism for a striptease, and the growing popularity of Salome as an erotic figurehead was named Salomania.

In around fifty years, from the appearance of Moreau’s The Apparition at the Salon in Paris, the traditional story of Herodias obtaining her vengeance by exploiting her daughter’s dance before Herod has been all but forgotten. The martyrdom of the second holiest figure in the gospels has been transformed into a perverse confusion of sex and death. The anonymous daughter of a woman who married her divorced husband’s brother has become the ultimate femme fatale: beautiful, sexy, and dangerous to know. Most unusually this change in story was largely triggered and driven by a painting: Moreau’s The Apparition.

Moreau was then concerned with the preparation of other paintings for the Exposition Universelle of 1878 in Paris.

moreauinfantmoses
Gustave Moreau (1826–1898), Moïse Exposé sur le Nil (The Infant Moses) (c 1876-78), oil on canvas, 185 x 136.2 cm, Harvard Art Museums/Fogg Museum (Bequest of Grenville L. Winthrop), Cambridge, MA. Courtesy of Harvard Art Museums, via Wikimedia Commons.

Infancy and dawn are themes in Moïse Exposé sur le Nil (The Infant Moses) (c 1876-78), a radiantly beautiful depiction of the infant Moses asleep, prior to his discovery in the bullrushes. Moses is new life, new Judaeo-Christian beliefs, new law, and the new regime. Set against a background derived from photographs of Egyptian ruins symbolising the ancient, pre-Jewish, and decaying, it laid out Moreau’s hope for the French nation.

The baby Moses is marked out as being holy by the rays emanating from his temples, and surrounded by exotic flowers and birds. Most unusually, Moreau doesn’t show the traditional and popular moment of discovery of the infant in the bullrushes, but a static scene beforehand.

moreausalomeinthegarden
Gustave Moreau (1826–1898), Salome in the Garden (1878), watercolour on paper, dimensions not known, Private collection. Wikimedia Commons.

Moreau revisited his new myth of Salome and John the Baptist, in his strange watercolour of Salome in the Garden (1878). A beautiful and decorated figure of Salome is walking in an overgrown garden, carrying the severed head of John the Baptist on a large platter. Her eyes are closed, or perhaps looking down at the head, and John’s eyes are closed. Beside her is a headless statue of a man crawling, which could perhaps be the body of John, and outside is a man, possibly the executioner waving his sword.

References

Cooke P (2014) Gustave Moreau, History Painting, Spirituality and Symbolism, Yale UP. ISBN 978 0 300 20433 9.
Mathieu P-L (1998, 2010) Gustave Moreau, the Assembler of Dreams, PocheCouleur. ISBN 978 2 867 70194 8.

《观点》专栏:中国正蓄势取代美国,抢占全球科研领导地位 - RFI - 法国国际广播电台

2 April 2026 at 19:15
02/04/2026 - 12:43

法国《观点》周刊专栏作家 Jean-François Bouvet 日前发文表示,倘若“中央帝国”北京在军事上尚未能与美国比肩,但其科研产出却正迈向全球主导地位。自第二次世界大战结束以来,美国始终是全球研究与开发(R&D)投资的最大资助方。然而,根据加州大学圣地亚哥分校“科学与创新政策前沿”项目(FSIP)为《自然指数》所做的分析,中国有望在两到三年内取而代之,夺得这一领导地位。

文章作者表示,这场变革源自于两股力量的叠加:美国公共投资的停滞不前,与中国当局研发支出的持续攀升。

中国有望成为全球科研中心

根据经合组织(OECD)数据,2023年中国公共研发支出达1330亿美元,十年间增幅高达90%。同期,美国研发支出仅增长12%,总额为1550亿美元。此外,中国计划在2030年前每年至少将整体研发支出提高7%,这意味着每年将投入数以十亿计的额外资金——涵盖公共与私人、基础与应用领域的研究。

据澳大利亚独立智库战略政策研究所(ASPI)运营的技术追踪工具显示,在近90%的关键技术领域,中国已处于领先地位,而这些技术被认为能够"显著增强或威胁一国的国家利益"。

特朗普的反复无常或令美国科学地位下滑

在基础研究领域,FSIP项目的研究人员认为,由于参议院对白宫削减预算的要求持反对态度,美国国家科学基金会(NSF)和国立卫生研究院(NIH)等联邦机构今年的整体资助规模将基本保持稳定。然而,对于未来几年国会能否持续抵制特朗普政府大幅削减预算的意图,他们则不那么乐观。

现任北京大学教授的饶毅(音译 Rao Yi ),主持着一个顶尖脑科学研究实验室。2007年回国后,他将在美国积累的经验用于推动中国生命科学的振兴。在《自然》杂志2025年6月的一篇专题报道中,这位神经科学家阐述了美国的犹豫徘徊如何可能为中国提供追赶国际先进水平的契机——甚至有望在十年内使中国在基础研究领域超越美国。当然,这恐怕并非"让美国再次伟大"选民们最关心的议题。

研发:未来实力的核心驱动力

“基础研究处于发展进程的核心,它是十年后创新与发现得以实现的根基。” 研究政策专家、FSIP项目联合负责人罗伯特·康恩如是说。

不过,尽管中国整体上正逼近并有望超越美国的研发水平,在军事领域却仍远未能与之比肩。

目前,美国引以为傲的国防技术佼佼者众多:世界最大航母福特号、B-2隐形轰炸机、F-35隐形战斗机、高能激光武器…… 美军在中东的部署生动展现了其军事力量的强大与多面性。而特朗普还不满足于此。美国国防预算已接近万亿美元——约为法国的十五倍——他还打算明年再提高50%。

在军事投入上,中国与美国仍相差悬殊:预计2026年中国军费约合2750亿美元,不及美国的四分之一。尽管如此,自2016年以来,中国国防预算每年以7%至8%的幅度递增。习近平着眼长远,但在推进重大工程时同样雷厉风行——5万公里高铁网络的破纪录建设速度,以及中国在航天领域的亮眼表现,无不印证了这一点。

文章总结指,中国同样志存高远:2049年,中华人民共和国将迎来建国100周年。尽管人口形势持续下行,这个“中央帝国”——似乎命中注定——志在届时重回世界第一强国的宝座。凭借“一带一路”、庞大的工业产能、强大的军事力量、登峰造极的研发实力…… 以及硬币的另一面:高科技全面监控体系。

Funeral director admits preventing 30 burials and stealing donations

2 April 2026 at 18:17
BBC Breaking NewsBBC

A funeral director has admitted preventing the burials of 30 bodies and stealing donations made to charities by mourners.

Robert Bush, 48, was arrested after police investigated Hull-based Legacy Independent Funeral Directors following a report of "concern for care of the deceased" in March 2024.

Bush, formerly of East Yorkshire and now living in West Yorkshire, pleaded guilty at Hull Crown Court to 30 counts of preventing a lawful and decent burial, and one of theft relating to charitable donations.

He previously admitted presenting families with the ashes of strangers and fraudulently selling funeral plans. He will be sentenced at a later date.

This breaking news story is being updated and more details will be published shortly. Please refresh the page for the fullest version.

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