© Daniel Roland/Agence France-Presse — Getty Images
© Dave Sanders for The New York Times
I hope that you enjoyed Saturday’s Mac Riddles, episode 302. Here are my solutions to them.
Shortened characters (text, shortened) into the most common extension (it is), formerly ASCII (it used to be).
Medical practitioner (a doc) at the end of word files (the extension for Word native format) until gaining a cross in 2002 (progressively replaced by the newer docx from 2002 onwards).
At the end (a filename extension) of real estate (property) inventory (list), most commonly for Info (Info.plist in bundles) and preferences (also usually property lists).
They are common filename extensions.
I look forward to your putting alternative cases.
© Karsten Moran for The New York Times
In the first of these two articles tracing the first century of railways in paintings from the early 1840s, I had reached Claude Monet’s views of the Gare Saint-Lazare in Paris before 1880. By this time few countries in Europe had no railways, and trains frequently conveyed artists from their studios in the cities out to the beaches and mountains, journeys that a few years earlier could have taken days rather than hours.
Although Norway was a greater challenge for the railway engineers, Frits Thaulow seized the opportunity to show the results in The Train is Arriving from 1881. The country’s first public steam-hauled railway was developed by the son of George Stephenson, whose Rocket locomotive had inaugurated the first steam railway in the world. Norway’s line opened in 1854, and during the 1870s progressively made its way to Trondheim.
In 1888, Vincent van Gogh gave us The Blue Train (Viaduct in Arles).
Volodymyr Orlovsky’s undated Steppe shows a river in summer, with water levels at their minimum. Cattle are taking the opportunity to drink and cool off in the water. In the distance is the plume of smoke from a railway train, probably carrying grain and other produce from the Ukrainian countryside to one of the growing coastal cities for export.
The twentieth century brought the beginning of the end of the power of steam, marked in an unexpected twist of history. Between 1898 and 1900, a new railway station, initially known as the Gare d’Orléans, was built on the bank of the Seine at Quai d’Orsay, Paris. The first electrified urban railway terminal in the world, it was a star of the Exposition Universelle in 1900, where many Impressionist paintings were exhibited.
Victor Marec’s painting shows construction work being progressed in 1899, with a steam locomotive hauling construction trucks.
The Gare d’Orsay, as it became, started to suffer physical limitations in 1939, and its upper levels closed from 1973. In 1986 it re-opened as the most extensive collection of Impressionist art in the world, the Musée d’Orsay.
Maximilien Luce was one of the most expressive artists, who wasn’t an official war artist, to show scenes relating to the First World War. In his La Gare de l’Est (1917), a collection of wounded and battle-weary soldiers are shown at the entrance to this large Paris railway station.
The Gare de l’Est in Snow (1917) is even better-known, and a classic painting of falling snow in a large city.
Lesser Ury’s Nollendorfplatz Station at Night from 1925 shows the brilliant electric lighting around this busy railway station to the south of the Tiergarten, in one of Berlin’s shopping districts.
By this time, painting trains was becoming something of a sub-genre, particularly as steam trains were being replaced throughout Europe.
Eric Ravilious is one example of a twentieth century artist who painted motifs deeply embedded in the railway, in his Train Landscape from 1940.
A few narrative artists, including Joaquín Sorolla, set their stories inside railway carriages. My favourite among these is Berthold Woltze’s Der lästige Kavalier (1874), rendered into English as The Annoying Bloke, from 1874.
This is set in a railway carriage where there are two men and a young woman. She is dressed completely in black, and stares towards the viewer with tears in her eyes. Beside her is a carpet-bag, and opposite is a small wooden box and grey drapes.
Leaning over the back of her seat, and leering at her, is a middle-aged dandy with a brash moustache and mutton-chop whiskers, brandishing a lit cigar. He appears to be trying to chat her up, quite inappropriately, and very much against her wishes. Behind him, and almost cropped off the left edge of the canvas, is an older man with a dour, drawn face.
The young woman has apparently suffered a recent bereavement, and may even be travelling back after the funeral. She looks too young to have just buried a husband, so I think it more likely that she has just lost her last parent, and is now living alone, prey to the likes of this annoying and abusive bloke.
© Loren Elliott for The New York Times
© Sophie Park for The New York Times
© Leon Neal/Getty Images
© Supantha Mukherjee/Reuters
Here are this weekend’s Mac riddles to entertain you through family time, shopping and recreation.
1: Shortened characters into the most common extension, formerly ASCII.
2: Medical practitioner at the end of word files until gaining a cross in 2002.
3: At the end of real estate inventory, most commonly for Info and preferences.
To help you cross-check your solutions, or confuse you further, there’s a common factor between them.
I’ll post my solutions first thing on Monday morning.
Please don’t post your solutions as comments here: it spoils it for others.
Disk images, files that contain the contents of a physical storage medium, go back long before the first Mac. Among other tasks, they were originally used to contain representations of floppy disks for replication in manufacture.
Today disk images are at the heart of macOS, and widely used by third-parties. They’re an essential part of macOS installers, home to Recovery mode, and the basis for cryptexes. They’ve been used to burn and replicate optical disks, to archive disk contents, extensively for network backups, and for the distribution of software.
In Classic Mac OS there were two utilities that worked with different formats: Disk Copy used replicas later in DC42 format, after Disk Copy version 4.2, while compressed formats known as DART were handled by the Disk Archive/Retrieval Tool, hence their name.
Mac OS 9 brought Disk Copy 6.0 with added support for the New Disk Image Format (NDIF), which supported resource forks, and ended with its last release version 6.3.3. This also supported read-only Rdxx formats.
By this time, variants of formats had become complex. Here, Disk Copy is configured to create a read-only compressed .img file containing the contents of a standard 1.4 MB floppy disk. In the upper window, it has completed validating the checksum on a self-mounting .smi disk image that’s part of a DiskSet. These could also be signed, using certificates issued not by Apple but by DigiSign.
Here’s Disk Copy saving an image of a hard disk using a similar read-only compressed format, this time to accommodate 1.5 GB.
The release of Mac OS X 10.1 Puma in 2001 brought Apple’s new Universal Disk Image Format (UDIF), used in DMG disk images, which only had a single fork as its resource fork was embedded in the data fork. Although pre-release versions of Disk Copy 6.4 and 6.5 were available with UDIF support for Mac OS 9, neither was ever released, leaving Classic Mac OS without access to UDIF images. Its support for compression options in Apple Data Compression (ADC) unified the two disk image types, and extended support for images larger than a floppy disk. This new format enabled disk images to represent whole storage devices, complete with a partition map and disk-based drivers.
Tools provided in Mac OS X for working with disk images include Disk Utility and the command tool hdiutil.
On 21 January 2002, the first version of DropDMG, a third-party substitute for creating disk images, was released by C-Command Software. This quickly enabled developers to create disk images with artwork, licences and other features that weren’t accessible from the tools bundled in Mac OS X. DropDMG has flourished over the last 23 years, and remains popular today.
DropDMG’s options for creating a new disk image far exceed those in Disk Utility. Particularly helpful are the compatible version hints shown on various options, to remind you of which file systems are available in different macOS versions, and which types of disk image container are supported. DropDMG will even convert old NDIF disk images last used in Mac OS 9 to more modern formats. It will also change the password of an encrypted disk image from a menu command.
In Mac OS X 10.2 (2002), UDIF and most other supported formats were served from a kernel extension without requiring a helper process. The following year, 10.3 Panther started using a faceless utility DiskImageMounter to mount disk images. Apple then dropped support for embedded resource forks in disk images in Mac OS X 10.4.7, and newly created disk images became less compatible with older Mac OS versions.
Until Mac OS X 10.5 Leopard in 2007, all disk images had used single-file formats, although some could be segmented across file sets. Leopard introduced the sparse bundle with its folder of smaller band files containing data. These enabled the image to grow and shrink in size, and became popular means of storing mountable Mac file systems on servers using different file systems.
This is another third-party tool that improved access to disk images from the GUI, DMG Packager, seen in 2009. Unlike DropDMG, this appears to have vanished without trace.
In 2011, with the release of Mac OS X 10.7 Lion, Apple removed more support for old disk image formats. DiskImageMounter no longer opened NDIF .img, .smi self-mounting, .dc42 and .dart compressed formats, although the hdiutil command tool still retained some access to them.
Disk Utility, seen here in 2011, has provided basic access to many disk image formats, but these are only a small selection of options available in the hdiutil command tool, or in DropDMG.
This shows the complex set of options available when creating a new disk image in Disk Utility in OS X 10.10 Yosemite, before the advent of APFS.
Support for compression was enhanced in OS X 10.11 El Capitan with the addition of lzfse in a new ULFO format, and macOS 10.15 Catalina added lzma in ULMO. In both cases, these new formats aren’t accessible in older versions of macOS.
The arrival of a pre-release version of the new APFS file system in macOS 10.12 Sierra brought its support in disk images, although only for experimental purposes, and Apple cautioned users to ensure their contents were well backed up.
In addition to adding the more efficient ULMO compressed format, macOS 10.15 Catalina is the last to support many Classic Mac OS disk image formats, including those from DiskCopy42, DART and NDIF from Disk Copy 6.x. Support for AppleSingle and MacBinary encodings, and dual-fork file support, were also removed in macOS 11.0 Big Sur in 2020.
This ‘warning’ alert from 2020 illustrates one of the longstanding issues with disk images. Although integrity checking of disk images using checksums has been valuable, when an error is found there’s no possibility of repair or recovery as the image can’t be ‘attached’, so its file system can’t be mounted.
macOS 12 Monterey in 2021 brought multiple deprecations of older formats, including UDBZ using bzip2 compression, segmented UDIF images, and embedded resources. It’s also thought to be the first version of macOS in which UDIF read/write images (UDRW) have been stored in APFS sparse file format, although Apple has nowhere mentioned that. This has transformed what had previously been space-inefficient disk images that retained empty storage into a format that can prove almost as efficient as sparse bundles. This results from the Trim on mounting HFS+ and APFS file systems within the image freeing unused space, enabling that to be saved in the sparse file format.
Disk images have never been glamorous, but have remained at the heart of every Mac.
man hdiutil
Introduction
Tools
How read-write disk images have gone sparse
Performance
Bands, Compaction and Space Efficiency
© Nicholas Albrecht for The New York Times
© Juan Arredondo for The New York Times
© Pool photo by Olivier Matthys
© Clodagh Kilcoyne/Reuters
© Maggie Shannon for The New York Times
© Kieran Dodds for The New York Times
© Ian West/Press Association, via Associated Press
I hope that you enjoyed Saturday’s Mac Riddles, episode 301. Here are my solutions to them.
Roll pasted on the interior (what wallpaper is) background (it sets the Desktop, and replaced Desktop & Screen Saver).
Secure (to lock) partition (a screen) for the idle display (it sets what is shown on the display when it’s idle).
Pastime (a game) bull’s-eye (a centre) for the player (it enables access to game features).
They were all introduced in macOS Ventura’s System Settings, but weren’t in System Preferences.
I look forward to your putting alternative cases.
One of the magic tricks that characterised the Mac was its association between documents and their apps. No longer did a user have to type in both the name of the app and the document they wanted it to edit. All they needed to do was double-click the document, and it magically opened in the right app.
In Classic Mac OS, that was accomplished by hidden Desktop databases and type and creator codes. For example, a text document might have the type TEXT and a creator code of ttxt. When you double-clicked on that, the Finder looked up which app had the creator code ttxt, which turned out to be the SimpleText editor, and opened that document using that app.
Although those ancient type and creator codes still live on today in modern macOS, they no longer fulfil that role. Instead, each file has what used to be a Uniform Type Indicator (UTI), now wrapped into a UTType, such as public.plain-text, normally determined by the extension to its name, .txt or .text. When you double-click on a file, LaunchServices looks up that UTType in its registry, discovers which app is set as the default to open documents of that type, then launches that app with an AppleEvent to open the document you picked.
Recognising that we often want to open a document using a different app rather than the default, the Finder’s contextual menu offers a list of suitable apps in its Open With command. That list is built and maintained by LaunchServices, and has changed in recent versions of macOS. Whereas those lists used to consist of apps installed in the traditional Application folders, LaunchServices now scours every accessible volume and folder using Spotlight’s indexes to build the biggest lists possible. If you happen to have an old copy of an app tucked away in a dusty corner, LaunchServices will find it and proudly display it alongside those in everyday use, like a game dog triumphantly presenting not one dead pheasant but every one from miles around.
For those with lean systems, this gives them the flexibility to open a large text document using BBEdit rather than TextEdit, or to select which image editor to use for a JPEG. But for those of us with lots of apps lurking in storage, the result is absurd and almost unusable. It’s bad enough working through the 33 apps that LaunchServices lists as PNG editors, but being offered 70 text editors is beyond a joke.
Unfortunately, there’s no lasting way to block unwanted apps from being added to the list LaunchServices builds for this Open With feature. You can gain temporary relief by excluding them from Spotlight search, but should you ever open the folder they’re in using the Finder, those are all added back. This also afflicts apps in folders shared with a Virtual Machine, where the list includes App Store apps that can’t even be run from within that VM.
There are, of course, alternatives. I could drag and drop the document from its Finder window towards the top of my 27-inch display to the app’s icon in the Dock at the foot, which is marginally less awkward than negotiating my way through that list of 70 apps.
But there are better solutions: why not empower me to determine which of those 70 apps should be offered in the Open With list? This is such a radical idea that it used to be possible with the lsregister command that has become progressively impotent, as LaunchServices has cast its net further in quest of more apps to flood me with. Or maybe use a little machine learning to include only those text editors I use most frequently to open documents? Apple could even brand that LaunchServices Intelligence, although that’s a little overstated.
I can’t help but think of what those magicians from forty years ago would have done, but I’m certain they wouldn’t have offered me that list of 70 apps to choose from.
Here are this weekend’s Mac riddles to entertain you through family time, shopping and recreation.
1: Roll pasted on the interior background.
2: Secure partition for the idle display.
3: Pastime bull’s-eye for the player.
To help you cross-check your solutions, or confuse you further, there’s a common factor between them.
I’ll post my solutions first thing on Monday morning.
Please don’t post your solutions as comments here: it spoils it for others.
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